Bus delays and Peeping Toms add to the already existing challenges that faced the photo shoot, including the withdrawal of major sponsor.
ed note–for those airheads around the world who continue to spout the nonsensical question “OOOHHHH!! WHY IS IT THOSE HATEFUL, IRRATIONAL MOOOZLEMS HATE DA JOOOS SO MUCH???!!!–Here is but one reason why. Whereas most people refer to the Middle East as ‘the Holy Land’ in an off-the-cuff manner, Muslims take this description seriously, and since Zionist have moved in like some Old Testament plague, vice, immorality and criminality have become the norm. Besides the sex slave business, which is LEGAL in IsraHell, provided of course that the slaves are Gentile and not Jewish, we have the following to consider.
One thousand two hundred male and female volunteers woke up early Saturday morning to participate in a mass nude photograph by artist Spencer Tunick at the Dead Sea.
The volunteers included men and women ranging from 20 years old to somewhere in their sixties. They set out for the Dead Sea before dawn and modeled in three different arrangements: one in the sea, one on land and one ‘modest’ shot where they were covered in the famous Dead Sea mud.
The quiet of the photo shoot was interrupted by Peeping Toms who hovered above the models in powered parachutes. Some of them were equipped with large photographic lenses, which was against all preceding promises and customary rules. In addition, some of the photographers who came to document the event broke the rules and used larger lenses than were allowed.
The photo shoot was also preceded by an operational problem when buses that were supposed to depart with participants before 1 A.M. were delayed. Some of the buses arrived hours late to the shooting location, after hundreds of volunteers had waited for them at the site.
The project, initiated by Ari Gottesmann and Ari Fruchter in 2009, encountered political and financial difficulties along the way. Right wing MK Zevulun Orlev (Habayit Hayehudi ) even called it “Sodom and Gomorrah” and an offense to public decency.
After two years of raising funds and sponsorships, with great difficulty, a major donor canceled his contribution at the last moment, putting the entire project at risk. “It’s nerve-racking,” admits Gottesmann. “It won’t stop us, but it was a major setback at this advanced stage.”
Despite all the obstacles, the project was confirmed and went ahead.
